{"id":238,"date":"2024-08-22T10:58:57","date_gmt":"2024-08-22T08:58:57","guid":{"rendered":"https:\/\/www.pixxelpoint.org\/2024\/?p=238"},"modified":"2024-11-19T11:26:29","modified_gmt":"2024-11-19T10:26:29","slug":"erozija-meja-razkroj-casa-in-prostora-v-nepopravljivo-razdejanem-svetu","status":"publish","type":"post","link":"https:\/\/www.pixxelpoint.org\/2024\/sl\/erozija-meja-razkroj-casa-in-prostora-v-nepopravljivo-razdejanem-svetu\/","title":{"rendered":"Erozija meja: razkroj \u010dasa in prostora v nepopravljivo razdejanem svetu"},"content":{"rendered":"\n<p>Ta dvodelni program se poglobi v transformativni potencial prostorskega nadgrajevanja in \u010dasovnega razkroja. Gre za deloma okroglo mizo in deloma televizijsko poro\u010danje, ki pre\u010di prepletene krajine ekonomskega \u0161pekuliranja, infrastrukturnih premikov in fluidnosti medijskega \u010dasa. Pri tem vzniknejo nove pripovedi, ki izpodbijajo in preoblikujejo na\u0161e razumevanje tehnolo\u0161kega napredka in upravljanja. Ko umetniki razstavljajo in rekonstruirajo nove svetove, se razkroj sedanjega trenutka razpr\u0161i v prihodnost, kjer osvetli nove \u010dasovnosti in prostore bivanja, medtem ko pospe\u0161imo v praznino.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Prvi del: Prostor<\/strong><\/h3>\n\n\n\n<p><strong>Sodelujo\u010di:<\/strong> <a href=\"https:\/\/www.pixxelpoint.org\/2024\/sl\/participant\/room69\/\">Room69<\/a>, <a href=\"https:\/\/www.pixxelpoint.org\/2024\/sl\/participant\/omsk-social-club\/\">OMSK Social Club<\/a>, <a href=\"https:\/\/www.pixxelpoint.org\/2024\/sl\/participant\/vid-koprivsek\/\">Vid Kopriv\u0161ek<\/a><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Eroding Boundaries: Temporal and Spatial Decay in a World Beyond Repair | Part 1: Space\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/Pao-D71nFjo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Nepredvidljive investicije in valovi dezinvesticij dolo\u010dajo mo\u017enosti milijonov ljudi in zarezujejo meje na\u0161e \u017eivete resni\u010dnosti. V tej \u010dasovno-prostorski gubi metaverzuma lahko ambiciozno preoblikovanje kibernetskih svetov korenito posega v na\u0161o materialno realnost.<\/p>\n\n\n\n<p>Ta okrogla miza raziskuje mo\u017enosti prostorske in arhitekturne nadgradnje tako v fizi\u010dnih kot digitalnih razse\u017enostih, pri \u010demer se osredoto\u010da na tehnolo\u0161ko-dru\u017ebene infrastrukture kot mostove med otipljivim in spekulativnim. \u010ce je infrastruktura ideologija, ki postane trajna, potlej s tem, ko jo preoblikujemo s hibridnimi prostorskimi posegi, dobimo vpogled v alternative infrastrukturne vizije namesto \u017ealovanja za izgubljenim nadzorom. Okrogla miza obravnava te odvijajo\u010de se pripovedi v realnem \u010dasu in preu\u010duje digitalne artefakte iz prihodnosti, ki so iz svoje preteklosti prestavljeni v na\u0161o sedanjost skozi utripajo\u010de portale.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Vmesni nastop<\/strong><\/h3>\n\n\n\n<p><a href=\"https:\/\/www.pixxelpoint.org\/2024\/sl\/msn-gf\/\">msn gf<\/a><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Eroding Boundaries: Temporal and Spatial Decay in a World Beyond Repair | Interlude by msn gf\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/hMJBrrQtAGg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Drugi del: \u010cas<\/strong><\/h3>\n\n\n\n<p><strong>Sodelujo\u010di:<\/strong> <a href=\"https:\/\/www.pixxelpoint.org\/2024\/sl\/participant\/alberto-harres\/\">Alberto Harres<\/a>, <a href=\"https:\/\/www.pixxelpoint.org\/2024\/sl\/participant\/dorijan-sisko\/\">Dorijan \u0160i\u0161ko<\/a>, <a href=\"https:\/\/www.pixxelpoint.org\/2024\/sl\/participant\/mario-santamaria\/\">Mario Santamaria<\/a><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Eroding Boundaries: Temporal and Spatial Decay in a World Beyond Repair | Part 2: Time\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/vAbyPlhbQHg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Medijski artefakti s tem, ko oblikujejo na\u0161e dojemanje \u010dasa, slednjega razpirajo v razdobja, citate in preobrate ter izpodbijajo obi\u010dajne predstave o proizvajanju in razkroju. Razkroj, ki \u0161e zdale\u010d ni zgolj propadanje, postane ustvarjalna sila, ki se upira prime\u017eu napovedovalnih, ekstraktivisti\u010dnih logik, preseka linearno gibanje napredka in spodkoplje tradicionalne ideje o inovativnosti.<\/p>\n\n\n\n<p>Razprava preu\u010duje medsebojni vpliv tehnolo\u0161kega razkroja in medijskega \u010dasa, pri \u010demer razkroj sprejme kot temeljni gradnik na\u0161ega medijskega obstoja. Potencial tehnolo\u0161kega razkroja raziskuje tako, da se giblje v prostoru preoblikovanja med tem, kar je bilo, in tem, kar \u0161e prihaja. Skupaj odpiramo poti do alternativnih \u010dasovnih tokov, v katerih bivanje in \u010das potekata na nove in druga\u010dne na\u010dine.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ta dvodelni program se poglobi v transformativni potencial prostorskega nadgrajevanja in \u010dasovnega razkroja. Gre za&#8230;<\/p>\n","protected":false},"author":2,"featured_media":247,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":true,"footnotes":""},"categories":[97],"tags":[],"class_list":["post-238","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-the-void"],"acf":[],"lang":"sl","translations":{"sl":238,"en":237},"pll_sync_post":[],"_links":{"self":[{"href":"https:\/\/www.pixxelpoint.org\/2024\/wp-json\/wp\/v2\/posts\/238","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.pixxelpoint.org\/2024\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.pixxelpoint.org\/2024\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.pixxelpoint.org\/2024\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.pixxelpoint.org\/2024\/wp-json\/wp\/v2\/comments?post=238"}],"version-history":[{"count":0,"href":"https:\/\/www.pixxelpoint.org\/2024\/wp-json\/wp\/v2\/posts\/238\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.pixxelpoint.org\/2024\/wp-json\/wp\/v2\/media\/247"}],"wp:attachment":[{"href":"https:\/\/www.pixxelpoint.org\/2024\/wp-json\/wp\/v2\/media?parent=238"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.pixxelpoint.org\/2024\/wp-json\/wp\/v2\/categories?post=238"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.pixxelpoint.org\/2024\/wp-json\/wp\/v2\/tags?post=238"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}