{"id":5,"count":10,"description":"

Speculation and Decay<\/strong><\/h1>\r\nCurated by: Maja Burja<\/a>\r\n\r\nWith: Maja Bojani\u0107<\/a>, Alberto Harres<\/a>, Vid Kopriv\u0161ek<\/a>, Matej Mihevc<\/a>, OMSK Social Club<\/a>, Gaia Radi\u0107<\/a>, Room 69<\/a>, Lex R\u00fctten<\/a>, Mario Santamaria<\/a>, Dorijan \u0160i\u0161ko<\/a>, Jana Kerima Stolzer<\/a><\/span>\r\n

7\u201317 November 2024<\/h2>\r\n\ud83d\uded1 Nova Gorica City Gallery, <\/span>Nova Gorica (SI)\r\n<\/span>\r\n\r\n\ud83d\uded1 Tir Gallery, Solkan (SI)\r\n<\/span>\r\n\r\n\ud83d\uded1 Agor\u00e8 Gallery, Gorizia (IT)\r\n<\/span>\r\n\r\n\ud83d\uded1 Carinarnica<\/span>, Nova Gorica (SI)<\/span>\r\n\r\n[exhibition_slider]\r\n\r\nThe exhibition explores the potential of fiction to reconstitute a relationship with a world ravaged beyond repair. Against the backdrop of numerous crises facing humanity and the planet, our narratives of continuous growth are dissolving, and it is becoming increasingly clear that progress has always been bound with collapse. The present moment is marked by a sense of loss, while the past, the present and the future are harder to unravel than ever. As imaginaries of what was once an open future turn into increasingly bleak prospects, the two main remaining forces in the world are steady decay and rampant speculation, which shape climates and markets, mines and bodies, atoms and bits.\r\n\r\nSpeculation and decay, appropriated as creative processes, become an opening for exploring alternative currents of the past, the present and the future, which embrace the ruptures, disruptions and unknown signs of the present moment in order to form a multiplicity of parallel worlds. Worlds that sprawl across archives and within virtual space, embed within infrastructural backrooms, emerge in latent vectors of generative processes or slowly rot on the web, surrender themselves to the forces of desolate natural and urban sites, inhabit the media of the past like ghosts and seep through unconventional channels \u2026 Physical and virtual spaces, porous and plastic in the processes of world-making, become sandboxes for narrative reprogramming, connecting to phenomena and time scales beyond human perception, and exploring liminal forms of subjectivity.","link":"https:\/\/www.pixxelpoint.org\/2024\/exhibition\/","name":"Exhibition","slug":"exhibition","taxonomy":"category","parent":0,"meta":[],"acf":[],"lang":"en","translations":{"en":5,"sl":61},"_links":{"self":[{"href":"https:\/\/www.pixxelpoint.org\/2024\/wp-json\/wp\/v2\/categories\/5","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.pixxelpoint.org\/2024\/wp-json\/wp\/v2\/categories"}],"about":[{"href":"https:\/\/www.pixxelpoint.org\/2024\/wp-json\/wp\/v2\/taxonomies\/category"}],"wp:post_type":[{"href":"https:\/\/www.pixxelpoint.org\/2024\/wp-json\/wp\/v2\/posts?categories=5"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}